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He went on executing them long after the death of the Marchioness of Pescara, who first seems to have incited him to this work. It almost appears to have become a religious exercise with him; they have the same meaning as these last lines of a Sonnet. Nè pinger nè scolpir fia più che quieti L’ anima volta a quell’ Amor divino Ch’ aperse, a prender noi, in croce le braccia.
It was not the former of these games that attracted Farnie. He was no pinger. Nor was he a pongster. But for billiards he had a decided taste, a genuine taste, not the pumped-up affectation sometimes displayed by boys of his age. Considering his age he was a remarkable player.
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