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Updated: June 24, 2025
The most compelling thing is d'Orsi's realistic "Tired Peasant." With the exception of some of the small bronzes, the rest of the sculpture of the section is hardly notable. Gallery 24 contains a very interesting canvas in Plinio Nomellini's picture of a woman and child in a boat drawn up under a tree.
One of Nomellini's effects in light and shade appears in No. 86, on the east wall. Paolo Sala's "Along the Thames" deserves better place and notice. Irolli, Lionne and Nomellini are gold medallists. Room 25, without any remarkable canvases, is very pleasing as an example of harmonious hanging.
In the extreme northern end of the gallery, beyond the foreign sections, is a tier of four rooms, 117-120, ranging from the mediocre to the admirable. In No. 117 are seven interesting canvases by Frieseke, the grand-prize winner, already mentioned. These pictures show the artist's scope. No. 1816 and others are strikingly like Plinio Nomellini's No. 86 in the Italian section.
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