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"Indeed," said a well-known artist to us in the gallery of the Louvre, in presence of this marvelous creation, "the sculptor himself, were he living, could not repeat his work. It was a ray of inspiration caught from Heaven." So we thought of the Moli Musjed. The Tomb of Akbar at Secundra was visited, a few miles from Agra.
The front of this Moli Musjed is supported by marble pillars, and is surmounted by three beautiful marble domes, of such perfection and loveliness of outline as to be the puzzle of modern architects, just as our best sculptors are nonplused before the Venus of Milo, and some other examples of Greek art; they may imitate, but they cannot hope to equal them.
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