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During that interval, Riley Sinclair raised his head to escape from the steady, reproachful gaze of John Gaspar. Down in the valley bottom, Sour Creek flashed muddy-yellow and far away. Just beyond, the sun gleamed on the chalk-faced cliff. Still higher, the mountains changed between dawn and full day. There was the country for Riley Sinclair. What he did down here in the valleys did not matter.
I write these concluding lines on a rock, under the shade of a tree on the banks of the island. It is solitary here, the birds singing, the sluggish muddy-yellow waters pouring down from the late rains of the upper Potomac; the green heights on the south side of the river before me. The single cannon from a neighboring fort has just been fired, to signal high noon.
It was the same with his hair, sparse and irregular of growth, muddy-yellow and dirty-yellow, rising on his head and sprouting out of his face in unexpected tufts and bunches, in appearance like clumped and wind-blown grain. In short, Beauty Smith was a monstrosity, and the blame of it lay elsewhere. He was not responsible. The clay of him had been so moulded in the making.
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