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Updated: June 12, 2025
It was Philip of Burgundy who carved, with Berruguete, those miracles of skill and patience we admire to-day in the choir of Toledo. Peter of Champagne painted at Seville the grand altar-piece that so comforted the eyes and the soul of Murillo. The wild Greek bedouin, George Theotocopouli, built the Mozarabic chapel and filled the walls of convents with his weird ghost-faces.
The King of Castile was not bold enough to deny this papal claim of overlordship, and Gregory demanded as first proof of his submission that he should substitute throughout his realm the Roman liturgy for the national or Mozarabic ritual then in general use.
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