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Updated: May 23, 2025
But to the churches Nello would go; most often of all would he go to the great cathedral; and Patrasche, left without on the stones by the iron fragments of Quentin Matsys's gate, would stretch himself and yawn and sigh, and even howl now and then, all in vain, until the doors closed and the child perforce came forth again, and winding his arms about the dog's neck would kiss him on his broad, tawny-colored forehead, and murmur always the same words, "If I could only see them, Patrasche! if I could only see them!"
But to the churches Nello would go: most often of all would he go to the great cathedral; and Patrasche, left without on the stones by the iron fragments of Quentin Matsys's gate, would stretch himself and yawn and sigh, and even howl now and then, all in vain, until the doors closed and the child perforce came forth again, and winding his arms about the dog's neck would kiss him on his broad, tawney-colored forehead, and murmur always the same words: "If I could only see them, Patrasche! if I could only see them!"
There is the same extraordinary concreteness in one of Matsys's apostles and one of Sluters's prophets. Michel Colombe, the pupil of Claux and Anthoniet and the sculptor of the monument of François II., Duke of Brittany, at Nantes, the relief of "St.
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