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Updated: May 24, 2025
It is really idle to wish that Rude had neglected the philosophy of his art, with which he was so much occupied, and had devoted himself exclusively to treating sculptural subjects in the manner of a nineteenth century successor of Sluters and Anthoniet. He might have been a greater sculptor than he was, but he is sufficiently great as he is.
There is the same extraordinary concreteness in one of Matsys's apostles and one of Sluters's prophets. Michel Colombe, the pupil of Claux and Anthoniet and the sculptor of the monument of François II., Duke of Brittany, at Nantes, the relief of "St.
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