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A contemporary Italian, whom I like hardly less than these noble Spaniards, is Giovanni Verga, who wrote 'I Malavoglia, or, as we call it in English, 'The House by the Medlar Tree': a story of infinite beauty, tenderness and truth. As I have said before, I think with Zola that Giacometti, the Italian author of "La Morte Civile," has written almost the greatest play, all round, of modern times.
Perhaps I'd better mention only the very greatest, like Don Quixote, and Gil Blas, and Wilhelm Meister, and The Vicar of Wakefield, and Clarissa Harlowe, and Emma, and Pride and Prejudice, and The Bride of Lammermoor, and I Promessi Sposi, and Belinda, and Frankenstein, and Chartreuse de Parme, and César Birotteau, and The Last Days of Pompeii, and David Copperfield, and Pendennis, and The Scarlet Letter, and Blithedale Romance, and The Cloister and the Hearth, and Middlemarch, and Smoke, and Fathers and Sons, and A Nest of Nobles, and War and Peace, and Anna Karénina, and Resurrection, and Dona Perfecta, and Marta y Maria, and I Malavoglia, and The Return of the Native, and L'Assomoir, and Madame Bovary, and The Awkward Age, and The Grandissimes and most of the other books of the same authors.
A contemporary Italian, whom I like hardly less than these noble Spaniards, is Giovanni Verga, who wrote 'I Malavoglia, or, as we call it in English, 'The House by the Medlar Tree': a story of infinite beauty, tenderness and truth. As I have said before, I think with Zola that Giacometti, the Italian author of "La Morte Civile," has written almost the greatest play, all round, of modern times.
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