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But at Godinne, where I usually spent my summers when in Europe, I gave a kind of traditional course in the works of Vieuxtemps, Wieniawski and other masters to some forty or fifty artist-students who would gather there the same course I look forward to giving in Cincinnati, to a master class of very advanced pupils.
"It was while sitting among the first violins in the New York Symphony Orchestra that I first heard Ysaye. And for the first time in my life I heard a man with whom I fervently wanted to study; an artist whose whole attitude with regard to tone and sound reproduction embodied my ideals. "I worked with Ysaye in Brussels and in his cottage at Godinne.
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