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Updated: May 8, 2025
The most consistent, although the most incongruous and vacillating, idealism, that of Berkeley, who denied the existence of matter, of something inert and extended and passive, as the cause of our sensations and the substratum of external phenomena, is in its essence nothing but an absolute spiritualism or dynamism, the supposition that every sensation comes to us, causatively, from another spirit that is, from another consciousness.
There are only three great energies in the universal life, which is always individual and which yet sways all the physical forces as well as the vital energy; and then the two great dynamisms of the sun and the moon. To the dynamism of the sun belong heat, expansion-force, and all that range.
6th: That innate complementariness is an absolute necessity in painting, just as free metre in poetry or polyphony in music. Oh, ass who wrote this! Polyphony is not a modern invention. A man named Bach, Johann Sebastian Bach, wrote fugues of an extraordinary beauty and clearness in their most complicated polyphony. 7th: That universal dynamism must be rendered in painting as a dynamic sensation.
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