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Updated: June 6, 2025
This language is altogether out of proportion with the thing spoken of; for Op. 18 differs from the master's best waltzes in being, not a dance-poem, but simply a dance, although it must be admitted that it is an exceedingly spirited one, both as regards piquancy and dash. Let us tarry for a moment over Op. 34. And what a striking manifestation of the spirit of that dance all that follows!
I cannot help thinking that Loie Fuller should have a niche in the hall of fame, among the "Immortals," for having given the last century her exquisitely beautiful creations in dancing. No woman has given us a great epic, or a great painting, or a great musical composition, but she has given us a great dance-poem, which is at the same time a painting and a song.
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