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This bye-plot runs through the play, giving an opportunity for bringing in a father of the usual play-house type, a Sir Richard Hurry, who is, of course, as stupid, covetous, proud, and tyrannical and unfeeling, as play- house fathers were then bound to be: but it is a plot of the most commonplace form, turning on the stale trick of a man expecting to be hanged for killing some one who turns out after all to have recovered, and having no bearing whatsoever on the real plot, which is this, Mrs.
There is next some talk against duelling, sensible enough, which arises out of a bye-plot, one Delamere having been wounded in a duel by one Beaumont, mortally as is supposed.
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