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If one should then speak to him in a sort of gibberish no matter what, only that, by the help of Brockhaus's "Conversation-Lexicon" one might mingle therein the names of some of the Indian spectacles: Sakantala, Vikramerivati, Uttaram Ramatscheritram, &c. the Brahmin would be completely mystified, and write in his note-book: "Kinnakulla is the remains of a temple, like those we have in Ellara; and the inhabitants themselves know the most considerable works in our oldest Sanscrit literature, and speak in an extremely spiritual manner about them."
A singularly favourable opportunity for so doing offered itself one day when Sulzer showed me an article on 'Opera' in Brockhaus's Modern Encyclopedia. The good man was fully convinced that in the opinions expressed in this article I should find a preliminary basis for my own theories.
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