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There are Breughels and Bosches aplenty, and none too good. But there are several Jordaens of quality, a family group, and three heads of street musicians. We forgot to mention an attribution to Jan van Eyck, The Triumph of Religion, which is a curious affair no matter whose brain conceived it. The attendant always points out its religious features with ill-concealed glee.
A Gossaert portrait catches the eye, the head and bust of a man; then you find yourself staring in wonderment at the Peter Breughels and Jerome Bosches with their malodorous fantastic versions of temptations of innumerable St. Anthonys. The air is thick with monsters, fish-headed and splay of foot. St.
First among these was his son, JAN MASSYS, born about 1500, who followed closely but rather clumsily in his father's footsteps, and need only be mentioned for carrying on the tradition. More interesting were the Breughels, namely, PIETER BREUGHEL the elder, born about 1520, called Peasant Breughel, and his two sons Pieter and Jan.
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