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Updated: June 9, 2025
And they did keep it up they always had the infatuated sculptor and his wife, for whom nature had refined on the impossible by relieving them of the sense of the difficult. Morgan had at all events everything of the sculptor but the spirit of Phidias the brown velvet, the becoming beretto, the 'plastic' presence, the fine fingers, the beautiful accent in Italian and the old Italian factotum.
His clothes were always rich and costly, but never bright-coloured or gaudy. There was no plume or jewelled brooch in his black velvet beretto or cap, and the only touch of colour was his golden hair, and the mantle of dark red cloth which he wore in the fashion of the Florentines, thrown across his shoulder.
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