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Then they had a conversation befitting the day and their time of life: about the next pigeon-match at Battersea, with relative bets upon Ross and Osbaldiston; about Mademoiselle Ariane of the French Opera, and who had left her, and how she was consoled by Panther Carr; and about the fight between the Butcher and the Pet, and the probabilities that it was a cross.
In 1840 she added to her list of impersonations Laodie and Pauline in Corneille's "Nicomède" and "Polyeucte," and Marie Stuart in Lebrun's tragedy. In 1841 she played no new parts. In 1842 she first appeared as Chimène in "Le Cid," as Ariane, and as Frédégonde in a wretched tragedy by Le Mercier.
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