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Much the same may be censured of individual passages: the singularly out-of-place catalogue of 'Lovers Scriptures' put into the mouth of Clarion, and, in a speech of Aeglamour's, the collocation of Dean and Erwash, Idle, Snite, and Soar, with the nymphs and Graces that come dancing out of the fourth ode of Horace.
In Aeglamour's despair at the supposed loss of his love we have a situation already familiar from at least two English pastorals, Hymen's Triumph and Rutter's Shepherds' Holiday; while in the detention of Earine in the power of the witch we have the material for an exciting and touching development. Where else can we look for the elements of a plot?
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