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Updated: August 24, 2024
The former innovation is ascribed as already noted to Kato Shirozaemon, a native of Owari, who visited China in 1223 and studied under the Sung ceramists; the latter, to Shonzui, who also repaired to China in 1510, and, on his return, set up a kiln at Arita, in Hizen, where he produced a small quantity of porcelain, using materials obtained from China, as the existence of Japanese supplies was not yet known.
The palaces in their overgrown gardens, with pale-green trellises dividing the rose-beds from the blue-and-white tiled paths, and fountains in fluted basins of Italian marble, all had the same drowsy charm, yet the oldest were built not more than a century or two ago, others within the last fifty years; and at Marrakech, later in our journey, we were to visit a sumptuous dwelling where plaster-cutters and ceramists from Fez were actually repeating with wonderful skill and spontaneity, the old ornamentation of which the threads run back to Rome and Damascus.
Our pottery would probably never have attained its high quality of excellence if the tea-masters had not lent it to their inspiration, the manufacture of the utensils used in the tea-ceremony calling forth the utmost expenditure of ingenuity on the parts of our ceramists. The Seven Kilns of Enshiu are well known to all students of Japanese pottery.
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