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Pues, como no hallaron el santo, alborotóse el pueblo, y pareciéndole que había sido milagro, quedóse el autor atónito. En otro lugar describe así las diversas clases de compañías que en su tiempo recorrían el país: «Habeis de saber, que hay bululú, ñaque, gangarilla, cambaleo, garnacha, boxiganga, farándula y compañía.»
The ñaque, two players, who could perform entremeses and play one or two musical instruments. The gangarilla, group of three or four actors of whom one was a boy to play a woman's part. They usually played a farce or some other short play. The cambaleo was composed of five men and a woman and remained several days in each village.
The garnacha was a little larger than the cambaleo and could represent four plays and several autos and entremeses. The bojiganga represented as many as six comedias and a number of autos and entremeses, had some approach at regular costumes, and traveled on horseback. The farándula was composed of from ten to fifteen players, was well equipped and traveled with some ease.
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