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Hugo is often pompous, shallow, empty, unreal, but he is at least an artist, and when he thinks of the artist and forgets the prophet, as in "Les Chansons des Rues et des Bois," his juggling with the verse is magnificent, superb. "Comme un geai sur l'arbre Le roi se tient fier; Son cœur est de marbre, Son ventre est de chair.
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