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He has affected the French too; I trace him in Gounod's Romeo et Juliette and we don't gain by it; we have a poor remuneration for the melody gone; think of the little shepherd's pipeing in Mireille; and there's another in Sapho-delicious. I held out against Wagner as long as I could. The Italians don't much more than Wagnerize in exchange for the loss of melody.
He has affected the French too; I trace him in Gounod's Romeo et Juliette and we don't gain by it; we have a poor remuneration for the melody gone; think of the little shepherd's pipeing in Mireille; and there's another in Sapho-delicious. I held out against Wagner as long as I could. The Italians don't much more than Wagnerize in exchange for the loss of melody.
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