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Updated: June 7, 2025
Mr Sharnall's resources in the way of men's voices were so limited that he was by no means unused to finding himself short of a voice-part on the one side or the other.
If one part moves quickly, as in the bass of the first two measures, the other parts are quieter; if the bass ceases to move rapidly some other voice will take up the motion, as we see in the third and following measures. As a general thing no two voices in contrapuntal writing move in the same way, each voice-part being contrasted with different note-values.
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