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Yet they are, in a way, uncompromisingly formal, architectural, strophic, and conventionally Verdian in their repetition of rhythmical motives and their melodic formularies.
Why make a journey to Europe to see the old forts when we have in Ohio one so old we have no record of its building? Truly we were more impressed while rambling over this old fort than we were when we entered the passages that led through Douamont and Verdian or stood on the ramparts of Mighty Ehrenbreitstein and gazed at the wonderful panorama spread out before us.
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