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Updated: May 10, 2025
The characteristic features of the system in Paris may be described simply as extreme frigidity and extraordinary accuracy. M. Vauthrot, the chorus-master, excelled in both these qualities. He was a man whom I could not help regarding as hostile to me, because I had never been able to win from him a single expression of enthusiasm.
My knowledge of the scores of Auber and Boieldieu had misled me into assuming that the French people were entirely indifferent as to whether the mute syllables in poetry and singing were to be sounded or not. Vauthrot maintained that this was only the case with composers, but not with good singers.
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