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Updated: May 15, 2025
The same disgust which was manifested and certainly enjoyed by Duse, when she demanded that the stage be cleared of actors in order to save the creative life of the stage, is the same disgust that makes us yearn for wooden dolls to make abstract movements in order that we may release art from its infliction of the big "A", to take away from art its pricelessness and make of it a new and engaging diversion, pastime, even dissipation if you will; for all real expression is a phase of dissipation in itself: To release art from the disease of little theatre-ism, and from the mandibles of the octopus-like worshipper that eats everything, in the line of spurious estheticism within range, disgorging it without intelligence or comprehension upon the consciousness of the not at all stupid public, with a so obviously pernicious effect.
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