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Updated: May 25, 2025
If he could not paint the spring in music, he could at least embroider the score of "Sniegourochka" delightfully with birdcalls and all manner of vernal fancies.
"Petrouchka" has a brilliance and vivacity and madness that makes Rimsky's scenes from popular life, his utilizations of vulgar tunes and dances scarcely comparable to it. Nowhere in any of Rimsky's reconstructions of ethnological dances and rites, neither in "Mlada" nor in "Sniegourochka," is there anything at all comparable to the naked power manifest in "Le Sacre du printemps."
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