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Updated: May 6, 2025
Elise, for all her leanings towards new schools in art, had the Romantic's imagination and the Romantic's relish for things foreign and unaccustomed. The English boy and his story seemed to her both charming and original. Her artist's eye followed the lines of the ruffled black head and noted the red-brown of the skin.
He would have none of a formal and merely decorative beauty a beauty serving no expressional need of the heart or the imagination. In this ultimate sense he is to be regarded as a realist a realist with the romantic's vision, the romantic's preoccupation; and yet he is as alien to the frequently unleavened literalism of Richard Strauss as he is to the academic ideal.
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