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And it flagellates again and again such bizarre literary and intellectual phenomena of the time as Raupach's Hohenstaufen dramas, Görres' mysticism, Menzel's calumniations, Eduard Gans' liberalism, Bettina's pretensions, Young Germany's reaction, even the Indian studies of the Schlegels and Alexander von Humboldt's substantial scholarship, so that, for the general reader, the larger part of the work is a sealed book.
At the Thalia Theatre, Raupach's The School of Life was being produced, a lot of silly stuff, the theme of it, for that matter, allied to the one dealt with later by Drachmann in Once upon a Time. A Princess is hard-hearted and capricious. To punish her, the King, her father, shuts a man into her bedroom, makes a feigned accusation against her, and actually drives her out of the castle.
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