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Adalgisa pleads with her not to abandon Pollione, who will return to her repentant; and the most effective number in the opera ensues, the grand duet containing two of Bellini's most beautiful inspirations, the "Deh! con te li prendi," and the familiar "Mira, O Norma," whose strains have gone round the world and awakened universal delight.
In a minute or two he was overtaken by a little lad, who looked up at him and said in an insinuating voice, "Albergo del Sole, signore?" "Prendi, bambino," was Mallard's reply, as he handed the bag to him. "Avanti!" A divine evening, softly warm, dim-glimmering.
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