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It is strange how much wrong we do to the geniuses of the second rate, when they happen to be rivals of those whom we have voted geniuses of the first rate; for the Piccinnis and the Salieris and the Spontinis, who chance to fight earnestly against Glucks, Mozarts, and others, often show in their lives qualities of the utmost sweetness and sincerity, equalling that of their more successful rivals in the struggle for existence.
The critics assert with authority and some show of erudition that the Spohrs, the Mendelssohns, the Humperdincks, and the Montemezzis are great composers. They usually admire the grandchildren of Old Lady Tradition but they neglect to justify this partiality. Nor can we trust the public with its favourite Piccinnis and Puccinis.... What then is the test of supermusic?
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