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So, despite Liszt's superior refinement, and putting aside exceptional achievements, in this branch of art Gounod was the victor. As there is an odor di femina there is a parfum d'église, well known to Catholics. Gounod's oratorios are impregnated with this, while it is found in Christus very, very feebly, if at all. The Missa Solemnis must be examined to find it to any extent in Liszt's work.
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