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Another piece, exhibiting an advance in complexity of dramatic structure, is an 'ecloga overo pasturale, a disputation on love by Bernardo Bellincioni , apparently in some way connected with Genoa, in the course of which five characters, probably representing actual personages, though we lack external evidence, forgather upon the stage.
In Act I an astrologer announces the birth of a giant, who in Act II is represented as persecuting the shepherds. Acts III and IV are occupied by various complaints on his account In Act V, called by Dulfo 'la ultima comedia, overo egloga, the giant carries off a nymph while she is gathering flowers; the shepherds, however, come to her rescue and restore her to her lover.
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