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Updated: May 29, 2025
The western tier of this section, Rooms 43-51, contains work of all grades of merit. No. 43 is conglomerate. Perham Nahl's well drawn "Despair" is perhaps best worth mention. In No. 44 Putthuff's two brown western scenes and Clarkson's portrait of E. G. Keith are interesting. No. 45 is better.
He tells of a visit to Hindelbank to see the sculptor Nahl's wondrous idealism in stone, which represents a young mother, the pastor's wife, and her babe. The infant lies in passive innocence on its mother's bosom, while her face is radiant with the light of a holy joy on the resurrection morn. Her hand is slightly raised in reverent greeting of her Redeemer.
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