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Updated: June 9, 2025
There is something necromantic in the art which can so swiftly and so surely cast an ineluctable spell upon the heart and the imagination: such a spell as is cast in the scene at the Fontaine des Aveugles, in the second act; or when, from the window in the castle tower, Mélisande's unbound hair falls and envelops Pelléas an unforgettable page; or when the lovers meet for the last time at the Fountain of the Blind; or in the scene of Mélisande's death one of the most pathetic and affecting pages in all music.
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