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Updated: July 14, 2025
And indeed, if we look at the best work of what I may call the wax mould medallists of the fifteenth century, even at the magnificent marble medallions of the laurel-wreathed head of Sigismund Malatesta on the pillars of his church at Rimini, modelled by Pasti, we shall see that these men were preoccupied almost exclusively with the almost pictorial effect of the flesh in its various degrees of boss and of reaction of the light; and that the character, the beauty even, which they attained, is essentially due to a skilful manipulation of texture, and surface, and light one might almost say of colour.
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