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Updated: July 23, 2025
From the bestiality of the Brocken we are plunged at the beginning of the third act into the pathos of Margherita's death. Faust urges her to fly, but her poor mind is all awry. She recalls the scene of their first meeting and of the love-making in Dame Martha's garden, and the earlier music returns, as it does in Gounod's score, and as it was bound to do.
The country people had begun to assemble when Martel and his friend arrived at the Ginini manor on the following afternoon, and the grounds were filling with gaily dressed peasants. The train from Messina had brought Margherita's relatives, and the bishop had sent word that he would arrive in ample time for the ceremony on the next morning.
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