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LONDON, March 2, O. S. 1752. MY DEAR FRIEND: Whereabouts are you in Ariosto? Or have you gone through that most ingenious contexture of truth and lies, of serious and extravagant, of knights-errant, magicians, and all that various matter which he announces in the beginning of his poem: Le Donne, I Cavalier, l'arme, gli amori, Le cortesie, l'audaci impreso io canto.
His "Orlando," it is true, is a medley of lies and truths sacred and profane wars, loves, enchantments, giants, madheroes, and adventurous damsels, but then, he gives it you very fairly for what it is, and does not pretend to put it upon you for the true 'epopee', or epic poem. He says: "Le Donne, i Cavalier, l'arme, gli amori Le cortesie, l'audaci imprese, io canto."
LONDON, March 2, O. S. 1752. MY DEAR FRIEND: Whereabouts are you in Ariosto? Or have you gone through that most ingenious contexture of truth and lies, of serious and extravagant, of knights-errant, magicians, and all that various matter which he announces in the beginning of his poem: Le Donne, I Cavalier, l'arme, gli amori, Le cortesie, l'audaci impreso io canto.
His "Orlando," it is true, is a medley of lies and truths sacred and profane wars, loves, enchantments, giants, madheroes, and adventurous damsels, but then, he gives it you very fairly for what it is, and does not pretend to put it upon you for the true 'epopee', or epic poem. He says: "Le Donne, i Cavalier, l'arme, gli amori Le cortesie, l'audaci imprese, io canto."
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