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Updated: May 13, 2025
In order to pacify the woeful Kriete, I was eventually obliged to agree to sell my rights in the works Meser had published for nine thousand marks, which represented the exact sum I owed to Kriete and another creditor who held a smaller share.
On the other hand, I was driven by circumstances to come to an agreement with Meser in Dresden about the unfortunate copyright of my three earlier operas. The actor Kriete, one of my principal creditors, was making piteous demands for the return of his capital.
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