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Updated: May 23, 2025
Robene and Makyne stands on the threshold of the sixteenth century, a modest and pastoral counterpart of the Nut-Brown Maid, as evidence that there were poets of purely native inspiration capable of writing verses every whit as perfect in form as anything produced by the Italianizers of the next generation, and commonly far more genuine in feeling.
The opening stanzas may be quoted as conveying a fair idea of the whole, which sustains its character of sprightly elegance for over a hundred lines, ending with the luckless Harpelus' epitaph: The relation of the early Italianizers to pastoral is rather strange.
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