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Updated: May 19, 2025
Its composition recalls Palma Giovine's account of the mighty Titian's way of working; how the master made his preparations with resolute strokes of a heavily-laden brush, and then turned his picture to the wall, and by and by resumed again, and then again and again, redressing, adjusting, modelling the light with a rub of his finger, or dabbing a spot of dark colour into some corner with a touch of his thumb, and finally working all his smirches, contrasts, abruptnesses, into the glorious harmony that we know.
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