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The production of the thing, which yet took a good many months, lives for me again all contemporaneously in that full projection, upon my very table, of the good fog-filtered Kensington mornings; which had a way indeed of seeing the sunset in and which at the very last are merged to memory in a different and a sharper pressure, that of an hotel bedroom in Paris during the autumn of 1889, with the Exposition du Centenaire about to end and my long story, through the usual difficulties, as well.
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