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Updated: June 4, 2025
While Susanna is playing the role of dressing-maid to Cherubino, and instructing him in a ladylike bearing, the Count raps for admission to the room. Figaro's decoy letter caused him uneasiness, and he had abandoned the hunt. Cherubino hurries into the chamber, and the Countess turns the key upon him before admitting his lordship, who enters in an ill-humor which is soon turned into jealous rage.
As it is, we have operatic versions of the first two of the comedies, Mozart's "Nozze di Figaro" being a sequel to Rossini's "Il Barbiere," its action beginning at a period not long after the precautions of Dr. Bartolo had been rendered inutile by Figaro's cunning schemes and Almaviva had installed Rosina as his countess. "Le Nozze" was composed a whole generation before Rossini's opera.
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