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Updated: October 4, 2026
Violent to exaggeration in composition, morbidly mystic, there are power and emotional quality revealed in his work; above all else he anticipated Velasquez in his use of cool gray tones, and as a pupil or at least a disciple of Titian he is, as his latest biographer, Señor Manuel B. Cossio, names him, "the last epigone of the Italian Renaissance." But of the man we know almost nothing.