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Wright, that the May festival was, in its earliest form, "a religious celebration, though, like such festivals in general, it possessed a double character, that of a religious ceremony, and of an opportunity for the performance of warlike games; that, at such festivals, the songs would take the character of the amusements on the occasion, and would most likely celebrate warlike deeds, perhaps the myths of the patron whom superstition supposed to preside over them; that, as the character of the exercises changed, the attributes of the patron would change also, and he who was once celebrated as working wonders with his good axe or his elf-made sword might afterwards assume the character of a skilful bowman; that the scene of his actions would likewise change, and the person whose weapons were the bane of dragons and giants, who sought them in the wildernesses they infested, might become the enemy only of the sheriff and his officers, under the 'grene-wode lefe." It is unnecessary to point out that the language we have quoted contains, beyond the statement that warlike exercises were anciently combined with religious rites, a very slightly founded surmise, and nothing more.
And over the crowded streets her song went crying away, the song of waste places and of wild free lands, full of wonder and magic, for she had in her elf-made soul the song of the birds and the roar of the organ in the marshes. At this moment Signor Thompsoni, the well-known English tenor, happened to go by with a friend. They stopped and listened; everyone stopped and listened.
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