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Little by little, however, the crowd quiets down, and I catch Louis Gallet’s fine lines, marvellously phrased by Mesdames Bartet, Dudlay, Moreno, and the handsome Fenoux as Apollo. The real interest of the public is only aroused, however, when The Erynnies begins. This powerful adaptation from the tragedy of Æschylus is the chef d’œuvre of Leconte de Lisle. The silence is now complete.
Dudlay is left to us. Oh, she will always stay with us! I cannot help saying it. What a pity! What a pity!" And eight days after, on June 7, he wrote in his theatrical feuilleton, on the first performance of Froufrou: "I do not think that the emotion at any theatre has ever been so profound. "'Well, said I to Mlle.
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