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Little by little, however, the crowd quiets down, and I catch Louis Gallet’s fine lines, marvellously phrased by Mesdames Bartet, Dudlay, Moreno, and the handsome Fenoux as Apollo. The real interest of the public is only aroused, however, when The Erynnies begins. This powerful adaptation from the tragedy of Æschylus is the chef d’œuvre of Leconte de Lisle. The silence is now complete.
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