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Updated: May 25, 2025
Nevertheless, that is what happens, and it is impossible to tell where the authentic text ends and the interpolation begins. In addition, the interpolation may be the exact contrary of what the author intended. This evil is at its worst in piano music. Our famous teachers, like Marmontel and Le Couppey, have published editions of the classics which are full of their own directions.
But the player is forewarned; it is the Marmontel or Le Couppey edition and makes no pretence of authenticity. In Germany, however, there are supposedly authentic editions, based on the originals, but which superimpose their own pernicious inventions on the author's text. The touch of the piano used to be different from what it is to-day.
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