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C'est apres l'analyse de ce morceau, considere surtout du point de vue du fond, de la disposition de ce qu'on pourrait appeler la charpente qu'ont ete faits les deux portraits que je vous donne."
It may well be, at the same time, that Crowe and Cavalcaselle are right in their conjecture that what the younger master did was rather to repair injury to the last work of the elder and supplement it by his own than to complete a picture left unfinished by him. The whole conception, the charpente, the contours of even the landscape are attributable to Bellini.
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