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Actualizado: 14 de julio de 2025
And Alexandre Hardy, the French playwright and contemporary of Lope de Vega, who borrowed largely from the latter both in method and detail, so styled many of his works.
In front of the stage and around the walls were benches, those in the latter position rising in tiers. On the left hand and on a level with the ground was the cazuela or women's gallery. The ground to the rear of the benches in front of the stage was open and formed the "standing-room" of the theater.
In the latter work he relates shamelessly and with evident respect for truth of detail many of his adventures of the period, which, as Ticknor says, "do him little credit as a young man of honor and a cavalier."
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