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Chapu's works, and such exceptions as the heads of Baudry and Renan already mentioned, apart, one perceives that the modern school has made too many statues of the République, too many "Ledas" and "Susannahs" and "Quand-Mêmes" and "Gloria Victis." And its penchant for Renaissance canons only emphasizes the absolute commonplace of many of these.
He conceived the business of a news art department to be to furnish pictured Susannahs for the delectation of the elders of the reading public. His flair for femininity he transferred to The Patriot's pages, according to a simple and direct formula; the greater the display of woman, the surer the appeal and therefore the sale. Legs and bosoms he specialized for in illustrations.
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